Poetry Ireland is excited to feature the visual artist Ailbhe Ní Bhriain in the upcoming issue of Poetry Ireland Review. The images are stills from her video projects, ‘Untitled (window),’ ‘Great Good Places I,’ ‘Great Good Places III,’ ‘The Suspension Room (3),’ ‘The Suspension Room (4),’ and ‘Untitled Diptych.’ ‘Great Good Places I’ (2011) is the first in a series of four videos shown in her solo show in London in 2011. Her video projects are composed using a range of materials, including HD Video, SD Video, colour, sound, and the absence sound. Ailbhe is represented by Domobaal, London and lectures at the Crawford College of Art & Design, Cork. When Domobaal launched her first solo exhibition they described the aim of her projects the following way:
Ailbhe Ní Bhriain sets out to interrupt the “believable” space of the video image, displacing our perception of place and creating a dialogue between internal and external states. There is an undoing/unworking at play, which creates shifts in visual register and a tension between surface and depth. The works are meditations on familiarity and otherness and question a relationship to place and the image.

Still from 'Untitled (window)' 2013
She is a Cork based visual artist who received her MA from the Royal College of Art in London and completed a phD by practice in fine art at Kingston University, UK in 2008. Working primarily in video, she uses composite and constructed imagery to explore situations of aftermath. Her work has been shown widely both nationally and internationally, with exhibitions in the Lewis Glucksman Gallery, Cork; RHA Dublin; Galerie Polaris, Paris; Centrale Electrique, Brussels; Centre of Contemporary Art of Thessaloniki; Reina Sofia Museum, Madrid; Caixa Forum, Barcelona; and Wapping Project, London. She is currently working on a commission for Dublin Sound Lab to produce a seven part video work to accompany Kaija Saariaho’s ballet, ‘Maa’ which will be performed as a series of complete concert productions in 2013.

Still from 'Untitled (window)' 2013
All images courtesy of Domobaal Gallery, London.