THE WESTERN WRITERS' CENTRE: A WORK IN PROGRESS by Fred Johnston
(Poetry Ireland News, March/April 2005)
The Western Writers' Centre- Ionad Scríbhneoirí
Chaitlín Maude- is moving into its sixth year of operation.
The only dedicated writers' centre West of the Shannon, it has been
responsible for initiatives such as the establishment of the very first
writers' residency for a Galway hospital- with poet Nuala Ní
Chonchúir, at Galway's Merlin Park Hospital- and an
entire weekend festival of Northern Irish literary culture, Invisible
Silences, that included readings in Irish and English, lectures
on Ulster-Scots, and discussions on women in Northern Irish theatre,
all funded by the Arts Council of Northern Ireland at a time when the
Arts Council/ An Chomhairle Ealaion of the Repulic was continueing to
refuse the Centre grant-aid. Local poets had their work published inside
Galway city and country buses, in an early Poetry on the Buses
project in collaboration with Bus Eireann.
Established poets such as Macdara Woods
and Gabriel Rosenstock gave permission to have a selection
of their poems handed out free in the street to passers-by one Balway
lunchtime in another initiative aimed, like the Poetry on the Buses
project, at making poetry a living presence in the busy work-day. In
another project with a similar objective, the Centre took over the ancient
Fisheries Tower on the river Corrib and staged lunchtime poetry readings
there; at the same times, the workshops on poetry and prose have continued
non-stop. Recently the centre worked with EuroNews on providing a Gaelic-speaking
poet for a programme on the Irish language in the EU. The international
media at least have not ignored the Western Writers' Centre. The Western
Writers' Centre website at www.twwc.ie continues to
publish literary news, new prose and poems, and a section of button reviews of new books and publications,
in French as well as English. The Centre gave birth to the Dark Gate
Writers' Group, under the tutelage of Margaret Cullagh,
which still meets regularly in the Centre's premises on Nuns Island.
And the current successful series run at Galway City Library, the Over
the Edge series of readings, began life as the On the Edge
project here at the Western Writers' Centre.
To date, the Arts Council/An Chomhairle Ealaion have consistently refused
important funding, save for a small equipment grant a couple of years
ago for a computer and a Small Festivals and Events grant last year.
But vital Revenue Funding has always been refused, often for contradictory
or different reasons. Galway City and Country Councils do fund the Centre
and it receives individual sponsorship and private donations; and it's
supported too by Poetry Ireland for occasional readings and events.
Spreading out into the surrounding country, the
Centre has organised visits by, for instance, playwright Billy
Roche to Loughrea, County Galway, and one-day writing seminars
in Loughrea too with novelists June Considine and Patricia
Fitzpatrick. Keeping to its brief as a Centre for the West,
the Western Writers' Centre has also brought June and Patricia to give
workshops in Ennis, in County Clare. And working with another County
Clare writers' group, I recently attended what is hoped to be the first
of a series of exchange readings with a French-speaking writers' group
in Paris.
The Western Writers' Centre is currently searching for
a dedicated premises. Although a component part
of the Galway City Development plan for some time, it is only recently thatCouncil members have taken to making very positive
statements about finding such premises. Attempts in the past have met
with problems; the old Walter Macken house outside
the City was deemed too costly to refurbish by the Council;
another building has been suggested near Furbo, County Galway; and an
early ouncil-inspired suggestion to occupy the upstairs rooms at 47
Dominick Street, home to Galway Arts Centre, was rejected on the grounds
that it already housed an Arts group. At the time of writing, the old
Galway museum rooms at Spanish Arch are being considered for re-use
by Galway City Council and the Centre is campaigning to have these considered
as new home.
Galway Writers' Workshop, determined publishers of the
literary magazine Crannóg, have worked regularly with the Centre.
Regrettably, not every component of Galway city's intimate and often
tribal cultural world has been as enthusiastic, to see an independent
writers' centre create a niche for itsself. Co-operation
amongst other art and literary groups has been minimal, in spite of
the Western Writers' Centre's open door policy on working with other
projects and organisations. Sadly, some other organisations have seen
the rise of the Centre in terms of threat and competitiveness; in a
small city such as Galway, this is always counterproductive. There has
evolved in some cases a notion of 'If-you-go-to-this-event- then-you-con't-come-to-mine';
an 'everything-is-personal' philosophy more appropriate to the primary
school yard than to a city which prides itself on its cultural fram-work.
But co-operation is vital and inevitable. The Western Writers' Centre
remains willing to work with residencies, groups and organisations of
any stamp. Perhaps in the end only regional Arts Officers and the Arts
Council itself can ensure that such co-operation takes place. In a new
premises, the Western Writers Centre hopes to nourish as many varied
literary groups and, as a consequence, creative ideas, as will fit through
the front door.
Writer Fred Johnston is Director of
the Western Writers' Centre. A new collection of poems, The Orcale Room and a novel, The Neon Rose, will be published this year by Cinnammon
Press and bluechrome respectively.


