Dublin is no Beautiful City & the Living Room is no Place for Sex
When… it is said, “Thou shalt love thy neighbor as thyself,” it is not meant, thou shalt love him first and do good in consequence of that love, but, thou shalt do good to thy neighbor; and this thy beneficence will engender in thee that love to mankind which is the fulness and consummation of the inclination to do good.
--Immanuel Kant
& Arthur Guinness
lived &
died
a year apart
in both cases.
So while Kant poured his nights
away to the ink for maps
guiding man to his
good
Arthur snuck to the Liffey
by moonlight & made night’s
black a permanent stain
on once clean water wasted
in running to a sea sans
purpose. He was thirsty for
better
in a city never afforded its beauty.
Would Kant say a city
finds its good in an art
museum or a factory?
Are these bones only good
for furnishing the walls of
a city’s catacombs?
How did Arthur and Immanuel weasel
into our collected dreams when night
but disintegrates at tomorrow’s light?
The building that after
noon knew no beauty.
White,
Modern,
Sterile. Perfect
for a med student. We did
homework & he named all the bones
buried beneath the black
ink I’ve sewn across my skin.
Decorated a skeleton I trust to give
me structure with Latin ornaments
before asking to kiss
the lips on their skull.
I let him
for a couple minutes
before I left & went
on the evening’s date,
knowing
Contemporary is today’s date
in the calendar. Contemporary
is a white building pasted
onto a city in red brick.
Contemporary is two lives lain one atop
the other in time if not (necessarily)
space, &
like how
there is no space
for bones to transcend skeletal
line drawings and dance
together in Dublin’s
bricked-up housing crisis, where
empty living rooms blossom
& accommodate intimacy among
five sleeping roommates & a man
who channels
rivers from the sea
into the warmth of night’s blush for dawn’s slow draw
at tomorrow
Where gagging in the shower,
I pull all of our black
hairs out from the drain,
to try & atone for
my small mountain of
transgressions & demonstrate
that I can do good too.

Poetry Ireland Review Issue 124:
Poetry Ireland Review 124 contains new poems from Paula Meehan, Ciarán O'Rourke, Lizzy Nichols, Mark Ward, Gabriel Rosenstock, Özgecan Kesici, Doireann Ní Ghríofa, and many other compelling voices. Also included is Eilean Ni Chuilleanáin's remembrance of her Cork childhood, excerpted from The Vibrant House: Irish Writing and Domestic Space, a book of essays reviewed in issue 124 by Caitríona O'Reilly. Other books considered in this issue include collections from Annemarie Ní Churreáin, Mark Granier, Tara Bergin, The Cambridge Companion to Irish Poets, and the Collected Poems of the late Dennis O'Driscoll, and there's also a short interview with Thomas Kinsella along with an essay on Kinsella as poet and civil servant. Another Kinsella is this issue’s Featured Poet, Alice Kinsella, and all artwork for the issue is supplied by artists associated with the Olivier Cornet Gallery on Great Denmark Street, around the corner from Poetry Ireland.
Available now to purchase online or in all good bookstores.